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DJI Osmo 360 review: a strong beginning

As regards prices, the launch cost of £ 410 ($ 550) for the standard combination underlined the comparable packages of Insta360 with a fair margin, which increases only the appeal. This package is supplied with the camera, a battery, a lid of rubber lenses, a soft case, a cleaning cloth and a USB-C cable in USB-C. For those who want a more complete starting kit, the adventure combination costs £ 540 ($ 700) and has everything above a selfie stick, magnetic support, three batteries and a charging case.

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While Osmo 360 is available practically everywhere, DJI has decided not to launch itself in the United States “through official channels” right now, probably due to the tariff situation and the difficulties in the course of DJI with the Federal government of the United States. A DJI spokesman tells me that there is no estimated time sequence for an American version, even if things could change in the future.

Strangely, you can technically buy Osmo 360 through retail sales channels such as Amazon, Adorama and B&H, although the stocks can be limited. Dji’s Mavic 4 Pro drone was available in the same way at these retailers at the launch a few months ago, but now it is exhausted.

Sensors replaced

Returning to the performance, the double square sensors Dual 1/1.1 inches of the OSM 360 are its main strength, so I was curious to see if the pixels larger than 2.4μm (twice larger than the sensor pixels on the Ist 360 x5) and the support for the 10 -bit color made the difference in complicated lighting conditions.

In light of the day light, the video of Osmo 360 is sharp and detailed, with colors that burst, sometimes too much. In my video of a bicycle ride along the coast, the sky was turned into that slightly artificial turquoise that you can get when the processing becomes a little too enthusiastic. However, stabilization is solid with the rock and automatic removal of selfie stick works perfectly. Taking 8k 50 frames per second in 360 mode (or 4K 120 fps in single lens mode) gave me a lot of flexibility for post-show retrowing and the D-Log M profile resisted well when I classified some clips in post.

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